Summer Art Market Artists

Who will be there besides you?

All the great 220 Summer Art Market Exhibiting Artists:

Where will I be?  Booth #37 on the corner of 3rd and Grant of course! Come by and say hi.

Amy Adams
Courtney Ahn
Jenna Almond Williams*
Ingrid Anderson
John Arnold
Jen Arribau
Judith Babcock
Amy Barnes
Patricia Barr Clarke
S.A. Bennett
Kathy Berenstein
Kent Bowers
Jane Braley
James Breese
Tim Brenner
Rick Brogan
Julia Brown DeThomas
Holly Buchan
Ella Buchholz
Jean Caggiano
Thomas Cattany
Dee Chalkey
Raj Chaudhuri
Kieth Chew
Lisa Davis
Vivienne Douglas
Ronald Dreher
Mary Eichelberger
Susan Elliott
Twig Ertl
Sarah Fitzpatrick
Jane  Ford
Saundra Galloway
Nancy Gardner
Carol Garrett
R. Garriott
Stephen Glowacki
Charlene Goldman
Tracy Haines
Tate Hamilton
Kit Hernandez*
Vicky Hinds
Dave Holman
Sabyl Horneck
Ann Hutchinson
Pat Isaacs
Debbie Jaggers
Debra Jeffry
Cal Johnson
Deborah Kaylor
Debbie Kerr
Pam Kramer
Nancy Kuester
Heidi Larraz
Ann  Lederer
Hyunjae Lee
John Lencicki*
Pat Lickly
Ralph Lidge
Michelle Manquen
Sina March
Dina Martin
Maggie Mason
Margaret Maupin
Susan Maxwell
Linda McFarland
Angie Midtbo
Christy  Miller
Sylvia Montero
Kristen Moore
Pat Mudge
Deborah Mueller-Hruza
Sara Noel
Sandi Ogin
Mikael Olson
Sandra Pfeifer
Sarah Phippen
Philip Rader
Randall Sampson
Christine Segal
Betz Smisek
Tom Stewart
Charlotte Strauss
Jay Tacheny
Janice Temple
Terrell Tumlinson
Jessica Wicken
Tiffany Williams
Ginger Wilson
Jam Wong
Carla Wright
Lynn Zollin

Ed Zorensky


*Art Students League faculty artist

Arts in Golden

In the Community Gallery Foothills Art Center Golden, CO

Opening Reception

Friday, April 29, 6:30–8:30 pm

With a continued commitment to featuring the talented pool of Colorado artists, FAC proudly announces its 2011 student exhibition. This exhibit will feature nearly 30 works of inspired FAC students who took classes in the past year and produced excellent, exhibition-quality artwork. This exhibit showcases how FAC art classes allowed these exhibiting professional artists to grow their artistic talent, as well as engage and learn from the exceptional instruction of FAC’s artist educators.


School for Thought: Artists Teaching Artists

Foothills Art Center (FAC’s) exhibition, School for Thought: Artists Teaching Artists in our Community Gallery (aka FAC II) from April 18 – June 17, 2011 with an opening reception in conjunction with our main gallery on Friday, April 29 from 6:30 – 8:30pm.  Curated by Michael Chavez
Artists selected for the show:
Jackie McFarland
Susan Kacik
Cyndy Littlehorn
Sandy Marvin
Pamela Gilmore
Hake
Charlotte Williams
Vivienne Douglas
Dina Martin
Laura Johnson
Judith Gilman
Carolyn
J.
Martyn
Robert Sims
Sharon Wink
Penny
Bunn
Becker
Patti Romano
Peggy
Morgan
Stenmark
Sandy Pfeifer
Nancy Brunskill
Susan Johnson
Pam Fortner
Jennifer Blair-Cockrum
Betsy Buckner

Events for Artists

CREATING COMICS with STAN YAN
Meininger Art Supply | May 14

Yan received a degree in accounting from the University of Colorado and then worked in sales for the securities industry. After wallowing in ethical poverty for years, he became a full-time cartoonist. Yan is an adjunct faculty member at the Community College of Aurora, where he is helping develop a graphic storytelling degree program. squidworks.com/Stan


Top 14 Art Cities

Why are some cities art meccas and while other cities art replellants?

Top 14 Artsy Cities in the US (in no particular order)

  1. Santa Fe, NM
  2. Ann Arbor, MI
  3. Asheville, NC
  4. San Fransisco, CA
  5. Boulder, CO
  6. Austin, TX
  7. Seattle, WA
  8. New York City, NY
  9. St Augestine, FL
  10. Springfield, IL
  11. Albuquerque, NM
  12. Kansas City, MO
  13. Madison, WI
  14. Golden, CO

Go ro http://livability.com/ for more innformaiton on cities that is searchable by type, size, and statistics.


Art Festivals 101 Part 10: “How is the art business?”

So I am commonly asked, ” how is the art business?”  This is a an intriguing question and one that is more complex than it appears.  Let’s take a look at some of the different players in the arena..

Art collectors, buyers, galleries, consultants, exhibitions, guilds, associations, festivals, and artists are all key players in the field.  Since the economy has dipped and the unemployment rate has risen has the art market been affected?

According to a recent study released by the Colorado Council on the Arts, jobs that support the arts in Colorado make up the state’s fifth largest employment sector.  The report, “Colorado: State-of-the-Art, Key Findings from The State of Colorado’s Creative Economy,” shows that Colorado’s creative industries employ more than 122,000 people in approximately 8,000 organizations — 3.9 percent of the state’s estimated 3.2 million jobs.   Creative industries in Colorado employ more people than defense and security, agribusiness, food processing and technology.

    • In 2007, the enterprises in this segment employed 14,000 individuals. As in performing arts much of the economic activity involved self-employment. Half of the visual arts and crafts.
    • Colorado had 35,750 artists working in the state in 2000, which placed it fifth in terms of total artists per capita.
         

    • Colorado ranked among the top ten states in the U.S. in every artistic category otherhan actors, dancers and choreographers, and announcers. 

       

    The Boulder-Longmont region ranked in the top ten regions based on total artists, architects, designers, photographers, and writers and authors per capita. 

    • The Fort Collins-Loveland region ranked in the top ten per capita for fine artists, art directors, and animators per capita.

    • sector’s employment is in portrait studios, another 2,057 in fine arts schools, and the remaining 1,632 in art galleries.  The remaining employment in this sub-group, about 40 percent of the total, are self-employed artists and craftspeople. This total, however, misses, a large number of craftspeople who are classified in manufacturing sectors associated with their medium, such as ceramics, glass, or metal, or in retail operations. As a result, many of the jobs associated with the crafts industry are excluded from the total direct creative economy employment. 16% of arts organisations believe they are facing closure in the next 12 months, with a further 29% anticipating the need to scale back activity.
  • Colorado experienced a 29.5 percent increase in the number of artists between 1990 and 2000, well above the national average of 11.6 percent. Only five states experienced more rapid growth.
  • Although we will have to await the results of the next decennial census to fully capture trends since 2000, more recent occupational data provide a consistent picture of a state with an extremely deep and strong creative workforce that has been growing at a relatively rapid rate.
  • Artists exhibit work in galleries and festivals, and if galleries are not forced to close through the proposed cuts, they will undoubtedly reduce their exhibitions and associated programmes.
  • This means fewer opportunities for artists to show and sell their work, and for the public to enjoy or buy works of art and participate in gallery education programmes.
  • Artists’ livelihoods are inherently resilient as they operate as ‘micro businesses’.
  • 72% of visual art professionals are self-employed with portfolio careers in education, regeneration, the health service or within the voluntary sector, for example. The average self-employment in the creative industries is a mere 41%.
  • A 25% cut in two separate areas of public expenditure may quickly amount to a drastic reduction in paid work for a self-employed artist. The bottom line is artists will have to make work with less public support.
  • http://www.a-n.co.uk/air/article/688022/469392


    Art in Literature

    Recently I had a discussion with my son about a book they are reading in class, “The Tales of Despereaux” by Kate Dicamillo.  He was talking about a particular character, named Chiaroscuro who happens to be a rat.  We talked about how he sometimes made good choices and bad choices.   At one point her said, yeah this rat is the only rat who likes light and dark. 

    After we visited, I told him what Chiaroscuro meant and how the author was giving us a hint about the character in the story.  It was am amazing conversation with my second grade son.  He did not know that is what the name meant, and plans to tell his teacher.

     

     

     

    chiar·oscu·ro

    noun \-ˈskyu̇r-(ˌ)ō, -ˈsku̇r-\

    plural -ros

    Definition of CHIAROSCURO
    1 : pictorial representation in terms of light and shade without regard to color
    2 a : the arrangement or treatment of light and dark parts in a pictorial work of art b : the interplay or contrast of dissimilar qualities (as of mood or character)
    3 : a 16th century woodcut technique involving the use of several blocks to print different tones of the same color; also : a print made by this technique
    4 : the interplay of light and shadow on or as if on a surface
    5 : the quality of being veiled or partly in shadow

    Origin of CHIAROSCURO

    Italian, from chiaro clear, light + oscuro obscure, dark
    First Known Use: 1686
     

    When it comes to painting, however, Chiaroscuro truly came to life in the paintings of Caravaggio  (which I was fortunate to see some in person in Rome) from the late 16th century.  Absolutely incredible work.

    The Inspiration of St. Matthew by Caravaggio

    For a great article on it check out

    http://emptyeasel.com/2007/07/20/chiaroscuro-in-painting-the-power-of-light-and-dark/


    Glowing Warm Light of Joaquin Sorolla Bastida

    I am just in love with Joaquín Sorolla y Bastida’s work. 

    I am amazed at how he created these wonderful and large pieces typically plein aire.  The dappled light, his capture of the mood, and use of composition with color are incredible.  I need to post and share some images of his wonderful work.  I am currently reading a wonderful book on him.  I cannot believe how prolific he was as an artist.

    He was orphaned at a young age after his parents passed and taken care of by his aunt and uncle.  I wonder if that is why he paints so many parental nurturing scenes? His use of color for composition just makes me drool.

     (February 27, 1863 – August 10, 1923) was a Spanish painter, born in Valencia, who excelled in the painting of portraits, landscapes, and monumental works of social and historical themes. His most typical works are characterized by a dexterous representation of the people and landscape under the sunlight of his native land.[1]


    Art Festivals 101: Part 9 “What makes a good art show?”

    Here are some of the criteria I use to evaluate and decide if I will submit for a show. It is like a job interview, you are evaluating the art festival/ art show as much as they are :

    1. Is it a juried show?
    2. Do they allow reproductions, giclees, prints?
    3. Do they limit them is they allow reproductions to only limited edition and % of booth?
    4. When is set up and take down (night before, morning of, same day?)
    5. What is the marketing budget for the event? 
    6. Do the event planners know it and cal they tell you specifically how and where they market?
    7. Do they collect data about the show: from attendees and artists about sales, visitors, evaluations?
    8. How do they support the artists?  (trained volunteer booth sitters, breakfast, helpers/runners, a call in line for breaks,bathrooms, snacks or food or water, marketing materials, web links, press releases, media coverage?
    9. What do guests of show say about it?
    10. Have I gone to or heard of this event or know someone who has been in it to get direct feedback from?
    11. How much are the booth fees?
    12. How many artists will be accepted?
    13. How many apply?
    14. What is the artist return rate?
    15. Is there food or other entertainment at the event?
    16. How long is the event? ( 1 day, 2, day or 3 day)
    17. What are the hours of the event?
    18. How is parking for attending for the event?
    19. What is the target audience/crowd that attends this event?
    20. What is the weather typically for this event?
    21. Do they allow mass produced items, pre manufactured goods, or crafts?

    Art in Arvada

    Well the Arvada Art Studio Tour is in full swing this weekend Spet 26-26th, 2010 10 am til 5pm

    I love the Arvada Art Studio Tour and this year, unfortunately I am not exhibiting in the AAST as I usually do.Here is a list of the 13 Arvada artists participating this year, there ares some wonderful work and treasures to be found. Check it out.Have fun, see ya next year at the AAST.

     
    Jan Archuleta 7148 Orchard St.
    303-403-1047
    Arvada Ceramics Guild
    5870 Olde Wadsworth
    303-423-0448
    Charlie Brown
    14560 W. 58th Place
    303-421-0035
    Susie Brown
    14560 W. 58th Place
    303-421-0035
    Pam Fortner 8361 Dudley Ct.
    720-979-6180
    Judy Gardner
    6585 W. 62nd Place
    303-421-9948
    Darlene Maestas
    9440 W. 63rd Place
    303-425-5858
    Pat McAleese
    8289 Depew Way
    303-427-6236
    Natasha McConnachie 5075 McIntyre St.
    303-960-8063
    Sharon Meriash
    6585 W. 62nd Place
    303-421-9948
    Jan Myers
    8309 Benton Way
    303-428-7394
    Helen Norris
    7474 W. 81st Ave.
    303-423-1860
    Fred Reim
    6585 W. 62nd Place
    303-421-9948
    Aart Rietveld
    6485 Balsam Street
    303-940-7196
    Jude Schmieder 14595 W. 58th Place
    303-456-8963
    Manick Sorcar
    14565 W. 58th Place
    720-935-0465

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